These destinations namely Yamunotri, Gangotri, Kedarnath, and Badrinath, collectively known as Char Dham. These pilgrimage centers draw the maximum numbers of pilgrims each year, thus becoming the most important hubs of religious travel in the whole of Northern India. Traditionally, the pilgrimage begins from the West and ends in the East. Thus, the Char Dham Yatra commences from Yamunotri, then proceeding to Gangotri and finally to Kedarnath and Badrinath.

Each of these four sites is devoted to a specific deity. Yamunotri is dedicated to the Goddess Yamuna who goes along the pilgrims to the high altitudes of the picturesque Rawai Valley. It is believed that a bath in the waters of the Yamuna protects the devotee from untimely death. Gangotri is dedicated to the Goddess Ganga. The shrine overlooks the River Bhagirathi, another name of River Ganga – the name having been derived from the myth of the ancient King Bhagirath’s penance that succeeded in bringing her upon the earth from the heaven. Kedarnath is dedicated to Lord Shiva and is also a part of the Panch Kedar. It is the northernmost Jyotirlinga and is close to the source of the holy River Mandakini. Badrinath is dedicated to Lord Vishnu. It is situated on the bank of the River Alaknanda. According to legend, Lord Vishnu meditated here while his consort Lakshmi took the form of a berry (Badri) tree to offer him shade.

Before embarking on this journey, one has to be prepared to experience physical as well as mental hardships on the Himalayan roads. The Char Dham Yatra is one of the quite accessible yet most arduous journeys. The Yatra route in the state is usually bustling with activity, especially during the summer. The scenic beauty of the mountains solemnly provides strength to the pilgrims as they move towards their destination.

बद्रीनाथ धाम से जुड़ी रोचक बातें

1. पुराणों के अनुसार बद्रीनाथ धाम में पहले भगवान शिव अपने परिवार के साथ वास करते थे। एक बार भगवान विष्णु तपस्या के लिए एक शांत स्थान की तलाश कर रहे थे लेकिन उन्हें कोई ऐसा स्थान नहीं मिला और अंत में वह बद्रीनाथ धाम में आए और इस स्थान को देखकर मोहित हो गए । लेकिन उन्हें यह नहीं पता था कि यहां भगवान शिव अपने परिवार के साथ वास करते हैं।

2.इस स्थान के लिए भगवान विष्णु ने एक बालक का रुप लिया और जोर -जोर से रोने लगे । एक बालक को इस तरह रोते हुए देखकर माता पार्वती उन्हें चुप कराने लगी।लेकिन वह बालक चुप नहीं हुआ।

3. भगवान शिव इन सब के बारे में जानते थे । उन्होंने माता पार्वती से उस बालक को छोड़ने के लिए कहा। लेकिन मां ने शिवजी की बात नहीं मानी और उस बालक को सुलाने के लिए चली गई।

4.उस बालक को सुलाने के बाद माता पार्वती बाहर आ गई । जिसके बाद भगवान विष्णु ने अंदर से दरवाजा बंद कर लिया ।

5.जब भगवान शिव वहां आए तो उन्होंने शिवजी से कहा कि मुझे यह स्थान पसंद आ गया है। आप केदारनाथ चले जांए।

6. जिसके बाद बद्रीनाथ भगवान विष्णु का धाम बन गई।

7. इससे जुड़ी एक और कथा का शास्त्रों में वर्णन है । एक बार माता लक्ष्मी भगवान विष्णु से रुठकर अपने मायके चली गई । जिसके बाद भगवान विष्णु ने माता लक्ष्मी को मनाने के लिए कठोर तप किया।

8.भगवान विष्णु को ढुंढते हुए मां लक्ष्मी उसी स्थान पर पहुंची जहां वह तपस्या में लीन थे।

9.भगवान विष्णु एक बेर के पेड़ पर बैठकर तपस्या कर रहे थे। जिसके बाद से ही मां लक्ष्मी नें उन्हें बद्रीनाथ का नाम दिया।

10. बद्ररीनाथ धाम में की जानें वाली आरती को एक मुस्लिम शायर ने लिखा है। यह शायर फकरुद्दीन (बदरुद्दीन) था जो चमोली जिले के नंदप्रयाग के रहने वाले था। फकरुद्दीन यह आरती केवल 18 वर्ष की उम्र में लिखी थी।

The exact age of the founding of the Key Monastery is not known but it is believed to originally date back to 1100 CE, although many believe the site is even older. Now sitting on top of a mountain foothill, the early structures built by the original monks would have been much lower. However as the peaceful Buddhists were attacked by the area Mongol barbarians the reconstruction efforts would simply build upon what had gone before, eventually creating the erratic patchwork of rooms, tight hallways, and hidden courtyards that exists today.

Much of the monastery bears a distinct Chinese design influence like many similar structures in the area, dating back to a period in the 14th century when the style came to the area. The interiors are also rich with historic murals and documents precious to the orders which have lived in the ever changing monastery.

Today Key Monastery is still a fully-functioning training ground for lamas operated by a Gelug sect of Tibetan Buddhist monks. Around 250 monks reside on the site at any given time, training, farming, and generally keeping the thousand year old wonder alive.

Overlooking Kaza from a height of about 13,500 ft, the Kye monastery is the largest in the valley and holds a powerful sway over the most populous part of the valley around Kaza. The gompa is an irregular heap of low rooms and narrow corridors on a monolithic conical hill. From a distance is resembles the Thiksey monastery near Leh in Ladakh. The irregular prayer chambers are interconnected by dark passages, tortuous staircases and small doors.

Hundreds of lamas receive their religious training in the monastery. It is also known for its beautiful murals, thankas, rare manuscripts, stucco images and peculiar wind instruments that form part of the orchestra whenever Chham is enacted in the gompa in summer. Another interesting aspect of the gompa is its collection of weapons which may have been used to ward off marauders as also to maintain its control over people betraying a church-militant character.

Thousands of devotees from all over the world were attended the Kalachakra ceremony which was performed in August, 2000 by His Holiness Dalai Lama.Kalachakra initiation (Skt. Abhisheka, Tibetan Wang) is not just an elaborate puja or a religious congregation.

It is a workshop in a grand scale to make an earnest effort by both the teacher and disciples to awaken their Buddha nature by the combined forces of teaching, prayer, blessing, devotion, mantra, yoga and meditation. It is an effort by every participant to try to discover the true and permanent peace for the sake of all others. The Buddhists believe mere presence during this elaborate initiation ceremony stretching over a few days, liberates the participant from suffering and bestows on him the bliss of Enlightenment.

The ceremony focuses on five main subjects – cosmology, psycho-physiology, initiation, sadhana and Buddhahood. A Kalachakra mandala and Viswatma deitiy in union with his consort are at the centre of this ceremony guiding the disciple through the tedious process of initiation.

The gompa is approached by road from Kaza (only 12 km). However, it is only 8.5 kms trek from Kaza.